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Comedy vs Outrage

  • Writer: Pratik Lata
    Pratik Lata
  • Dec 18, 2021
  • 4 min read

Updated: Mar 24

๐˜›๐˜ข๐˜ฌ๐˜ฆ ๐˜ข๐˜ธ๐˜ข๐˜บ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ต๐˜ฐ ๐˜ด๐˜ข๐˜บ โ€˜๐˜ง๐˜ถ๐˜ค๐˜ฌโ€™ ๐˜ข๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ต๐˜ข๐˜ฌ๐˜ฆ ๐˜ข๐˜ธ๐˜ข๐˜บ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ต๐˜ฐ ๐˜ด๐˜ข๐˜บ โ€˜๐˜ง๐˜ถ๐˜ค๐˜ฌ ๐˜ต๐˜ฉ๐˜ฆ ๐˜จ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ๐˜ฏ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต.โ€™ - ๐˜“๐˜ฆ๐˜ฏ๐˜ฏ๐˜บ ๐˜‰๐˜ณ๐˜ถ๐˜ค๐˜ฆ

Lenny Bruce was an American stand-up comedian and satirist, considered one of the greatest of all time. Known for his open, free-form style and biting satire, his comedy addressed politics, religion, sex, and vulgarityโ€”topics rarely seen or heard in the conservative American society of the 1950s and 60s. This boldness led to numerous run-ins with law enforcement, as he faced "obscenity" charges that challenged the limits of free expression.


Years of trials and convictions took a toll on his mental health, leading to episodes of depression and drug abuse, and ultimately to his death from an overdose in 1966. His tragic end left a lasting mark on both lawmakers and fellow comedians, as his trial for obscenity became a milestone in the fight for freedom of speech in the United States. In 2003, he was posthumously pardoned for his 1964 conviction, cementing his legacy as a pioneer who pushed the boundaries of comedy.

Lenny Bruceโ€™s fearless style paved the way for counterculture comedians like Richard Pryor and George Carlin, whose groundbreaking acts owe much to his unflinching honesty and irreverence.

๐˜–๐˜ง๐˜ง๐˜ฆ๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ ๐˜ช๐˜ด ๐˜ข ๐˜ฏ๐˜ฆ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ข๐˜ณ๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ข๐˜ญ๐˜ต๐˜ฉ๐˜บ ๐˜ข๐˜ค๐˜ต. ๐˜Œ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ ๐˜ด๐˜ข๐˜บ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ข๐˜ตโ€™๐˜ด ๐˜ฐ๐˜ง๐˜ง๐˜ฆ๐˜ฏ๐˜ด๐˜ช๐˜ท๐˜ฆ ๐˜ต๐˜ฐ ๐˜ข๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ, ๐˜บ๐˜ฐ๐˜ถ ๐˜ซ๐˜ถ๐˜ด๐˜ต ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ๐˜ฅ ๐˜ข ๐˜ฅ๐˜ช๐˜ด๐˜ค๐˜ถ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ. ๐˜ ๐˜ฐ๐˜ถ ๐˜ซ๐˜ถ๐˜ด๐˜ต ๐˜ง๐˜ฐ๐˜ณ๐˜ค๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ. - ๐˜“๐˜ฐ๐˜ถ๐˜ช๐˜ด ๐˜Š.๐˜’.

Today, American or western society is far more tolerant, allowing comedians to tackle religion or other sensitive socio-political issues without holding back. Unconcerned with being politically correct, they speak freely and without fear of retribution, knowing they can no longer be arrested for what they say within the confines of a comedy club.


Comedians have evolved into modern-day philosophers, using humour to address difficult topics. Their routines often carry sharp social commentary on religion, racism, sexuality, addiction, and more. They aren't afraid to take aim at national figuresโ€”past or presentโ€”digging up their dark histories for a few laughs. One of the most daring forms of this approach is the โ€œRoastโ€โ€”a brand of insult comedy where a willing participant endures a barrage of jokes at their own expense, all in the name of entertainment.


And what do these fearless performers get for their boldness? Respect and recognition. Theyโ€™re honoured with prestigious accolades like the Mark Twain Prize, Grammys, and even Oscarsโ€”solidifying their place as both cultural critics and celebrated artists.


๐˜”๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ฆ๐˜ท๐˜ฆ๐˜ณโ€ฆ ๐˜บ๐˜ฐ๐˜ถ (๐˜ง๐˜ฆ๐˜ญ๐˜ญ๐˜ฐ๐˜ธ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฅ๐˜ช๐˜ข๐˜ฏ๐˜ด) ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ข ๐˜ณ๐˜ฆ๐˜ด๐˜ฑ๐˜ฐ๐˜ฏ๐˜ด๐˜ช๐˜ฃ๐˜ช๐˜ญ๐˜ช๐˜ต๐˜บ ๐˜ต๐˜ฐ ๐˜ด๐˜ฑ๐˜ฆ๐˜ข๐˜ฌ ๐˜ณ๐˜ฆ๐˜ค๐˜ฌ๐˜ญ๐˜ฆ๐˜ด๐˜ด๐˜ญ๐˜บ. ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ธ๐˜ช๐˜ด๐˜ฆ, ๐˜ฎ๐˜บ ๐˜ฌ๐˜ช๐˜ฅ๐˜ด ๐˜ฎ๐˜ข๐˜บ ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ณ๐˜ฆ๐˜ค๐˜ฌ๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ต๐˜ข๐˜ญ๐˜ฌ ๐˜ด๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ด ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ซ๐˜ฐ๐˜บ๐˜ด ๐˜ฐ๐˜ง ๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ณ๐˜ฐ๐˜ฏ๐˜จ. ๐˜ ๐˜ฅ๐˜ช๐˜ฅ๐˜ฏโ€™๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต, ๐˜ ๐˜ค๐˜ข๐˜ฎ๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ง๐˜ถ๐˜ค๐˜ฌ ๐˜ข๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ. - ๐˜‹๐˜ข๐˜ท๐˜ฆ ๐˜Š๐˜ฉ๐˜ข๐˜ฑ๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ

So why wouldn't Indian comedians follow in the footsteps of their Western counterparts? But the response here is starkly different. While American comedians are celebrated for their boldness, Indian comedians often face a backlash so severe that it threatens their safety and livelihood.

Take the concept of โ€œroasts,โ€ for example. When Indian comedians (AIB) experimented with this format the reaction was overwhelmingly hostile.


More recently, comedians have faced investigations and police complaints for trivial matters. Comedy venues are vandalized by mobs if jokes touch on politics or religion. Death threats arenโ€™t uncommon either, with some even receiving threats of being chased out of the country. Online content, too, has come under scrutiny, with orders to halt shows unless they meet vague standards of "morality and decency." Even the courts book you for contempt if you criticize their way of working.


Rather than being appreciated for their humour and audacity, they are met with outrage, legal threats, and moral condemnation. Even if you evade all of this, there is an online mob waiting for their orders to harass you.


Itโ€™s a grim reminder that true freedom of expression remains an elusive dream for many in the country.


๐˜ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ต'๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ถ๐˜ต๐˜บ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฅ๐˜ช๐˜ข๐˜ฏ ๐˜ต๐˜ฐ ๐˜ง๐˜ช๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ถ๐˜ต ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ ๐˜ช๐˜ด ๐˜ฅ๐˜ณ๐˜ข๐˜ธ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ณ๐˜ฐ๐˜ด๐˜ด ๐˜ช๐˜ต ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฃ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ญ๐˜บ. - ๐˜Ž๐˜ฆ๐˜ฐ๐˜ณ๐˜จ๐˜ฆ ๐˜Š๐˜ข๐˜ณ๐˜ญ๐˜ช๐˜ฏ

Is India heading towards a cold, conservative, and conformist futureโ€”one where people tear each other apart over controversial opinions? Are we being conditioned to embrace censorship?


If weโ€™re going to censor everything that seems offensive, we risk allowing the most sensitive people to decide whatโ€™s acceptable for everyone. And that's dangerous.


When the most fragile voices dictate the boundaries of expression, creativity and critical thought get suffocated. In this climate, art and comedy will become sanitized, stripped of the ability to challenge or provoke meaningful reflection.


The real danger is not just the suppression of ideas but the gradual acceptance of fear over freedom. It hands power to those who shout the loudest, giving them control over what the rest of society is allowed to see, hear, and discuss. By allowing censorship to prevail, we risk building a future where expression is dictated not by diverse perspectives but by the comfort zones of a few. If that becomes our reality, it wonโ€™t just be comedians who are silencedโ€”it will be anyone who dares to speak outside the lines.


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